舷窗：液态凝视 Porthole：Liquid Gaze

《舷窗》源于艺术家的海岛生活与航行经验。对于海岛居民而言，海洋是连接岛屿、陆地与外部世界的流动路径。舷窗，则构成航行途中反复出现的观看界面。作品以摄影实拍为基础影像，通过受克制的微动态合成，使凝结、水滴、划痕及玻璃表面的微小痕迹成为观看的主体。在CDSA的城市公共屏幕展现中，作品进一步将船舱中的个体观看的舷窗转译为城市中的公共“舷窗”：当一个小尺度的海上观看界面被放大至媒体建筑，海岛个体经验进入城市公共感知。作品提出“减法式沉浸”，通过减少信息、限制运动和延缓视觉变化，回应城市数字媒介不断争夺注意力的视觉环境，使公共屏幕暂时从信息输出界面转化为容纳停顿、凝视与内在觉察的感知空间。 Porthole originates from the lived experience of maritime travel between an island and the mainland. For island residents, the ocean is not merely a landscape but a fluid passage connecting home, distance, and the outside world. The ship’s porthole becomes a recurring interface through which this relationship is perceived. Based on original photography, the work combines artist-constrained AI-generated micro-motion with manual compositing to extend condensation, droplets, scratches, and surface traces into a slow temporal experience. For CDSA, the intimate porthole is translated into an urban-scale public interface. Through “subtractive immersion”—restricted framing, minimal motion, reduced information, and sustained duration—the work transforms the media screen from an attention-seeking surface into a temporary space for contemplation. The ocean thus moves from private island memory into collective urban perception.